ゆー まろ ラッパー。 谷本真由美

スペシャルドラマ『ラッパーに噛まれたらラッパーになるドラマ』|テレビ朝日

ゆー まろ ラッパー

storefronts. editorial. groupings. extend. editorialartwork. 2cartisturl. include. 5balbums. artists. en-us. name. music. platform. mzstatic. 1518662286? apple. mzstatic. mzstatic. apple. b2ed80ad411e44fdadcdb1b0e0c757ad? mzstatic. apple. mzstatic. mzstatic. As preternaturally talented New York MCs who first made their names in the post-Notorious B. era, the two have managed—near miraculously—to avoid the kind of professional squabbles that put so many fanbases at odds throughout the aughts. A great many unofficial mixtapes and playlists have featured their cuts stacked up against each other in service of an even greater number of barbershop arguments about who had the biggest impact on New York—and no less importantly, hip-hop at large. But you can reacquaint yourself with the highlights on the official Fabolous and Jadakiss Cheat Sheet playlist, as curated by Apple Music host Lowkey. And be sure to tune in for the main event, Verzuz: Fabolous x Jadakiss, on Monday, June 29, at 8 pm ET. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. ppypeevv. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. Now you can explore seamless mixes and live sets by your favorite DJs and producers here on Apple Music. When you find a mix you like, save it to your library, and check back regularly for new additions. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. itunes. apple. m3u8? itunes. apple. m3u8? mzstatic. rgb. apple. mzstatic. mzstatic. Stranger still, the audience dozed on cots. When writing, Richter consulted with sleep neuroscientist David Eagleman, folding cutting-edge research on slow-wave phases of sleep—states crucial to learning and memory—into the very shape of the piece. The slow tempo is intended to have a lulling effect, drawing listeners into drowsiness and holding them there. apple. mzstatic. mzstatic. mzstatic. mzstatic. eufgglod. mzstatic. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. apple. 2b0e6e332fdf4b7a91164da3162127b5? mzstatic. apple. mzstatic. mzstatic. mzstatic. Listen to it now and add this playlist to your library to stay up on the latest must-hear new songs. f4d106fed2bd41149aaacabb233eb5eb? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. abe8ba42278f4ef490e3a9fc5ec8e8c5? mzstatic. apple. mzstatic. mzstatic. mzstatic. And if you hear something you like, add it to your library. 5ee8333dbe944d9f9151e97d92d1ead9? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Check back often, as our editors update this playlist regularly—and if you hear something you like, add it to your library. 28926c578a80475c904026ea97646ad5? mzstatic. apple. mzstatic. mzstatic. Every day new bands are taking shape and plugging in. These are the few that are destined for greatness. Formerly The A-List: Rock, this playlist is updated regularly, so if you like a song, add it to your library. 87bb5b36a9bd49db8c975607452bfa2b? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. It tends to get the crowd going from the start. I hope that people can find strength in this song. Check back here early and often, and if you hear something you like, add it to your library. 0e91490f3310408eb1186fc9befb3d11? mzstatic. apple. mzstatic. mzstatic. Songs and sounds of the moment, if not the next. 6bf4415b83ce4f3789614ac4c3675740? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Then, late this winter, during a writing session with CamelPhat, the Foals frontman found his moment. fecfa8a26ea44ad581d4fe501892c8ff? mzstatic. apple. mzstatic. mzstatic. In other words, certain types of pop music can speak to the heart in ways that make you feel grateful just to be alive. From soaring ballads to surging dance anthems with touches of electronic and indie rock, here are the biggest tracks inspiring us today: the sound of good news. Our editors update these tracks regularly. If you hear something you like, add it to your library. 4b364b8b182f4115acbf6deb83bd5222? mzstatic. apple. mzstatic. mzstatic. mzstatic. R mixtape, the Colombian artist recruits Maluma, Nicky Jam, Sech, and the aforementioned Balvin for this expansive version. This playlist is updated often, so if you hear something you like, add it to your library. 0b593f1142b84a50a2c1e7088b3fb683? mzstatic. apple. mzstatic. mzstatic. So check back often, and if you hear something you like, add it to your library. b7ae3e0a28e84c5c96c4284b6a6c70af? mzstatic. apple. mzstatic. mzstatic. 58c2477d86ea46db997048afd159d01d? mzstatic. apple. mzstatic. mzstatic. Our editors update these tracks every week. If you find a new favorite to crank, add it to your library. 5cb9c0f3ca9d4fc1bccbaf67ca6201e7? mzstatic. apple. mzstatic. We'll update this playlist often, so if you hear something you like, add it to your library. 07405f59596b402385451fa14695eec4? mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. Rhythmically daring and emotionally intense, today's jazz is an art that perpetually surprises and evolves. Our editors regularly refresh this playlist. If you like a track, add it to your library. 51c1d571cc7b484eb1dead1939811f2d? mzstatic. apple. mzstatic. mzstatic. Fortunately, heavy music's new class keeps plenty of huge riffs and rage-worthy choruses coming every week—and we've collected the best and most brutal of 'em here. Our editors regularly update this playlist. If you hear a track you like, add it to your library. eb88af9a17e6401da701a7e768e2d53c? mzstatic. apple. mzstatic. mzstatic. But you also like rap. And rock, and even a little electronic. Come to think of it, who put all these boundaries up in the first place? Our editors are updating tracks all the time, so if you hear something you like, add it to your library. c91209d0acdd4aa789b11ca9ec351028? mzstatic. apple. mzstatic. mzstatic. From open-arms guitar anthems to leftfield dance, intimate folk-rock to pop pastiche, here's an eclectic set of tracks that capture that indie spirit, whether made by its long-standing ambassadors or their modern-day acolytes. Our editors regularly refresh this playlist. If you like a song, add it to your library. 6e8b41fadbe0454abeb3f98ce5296818? mzstatic. apple. mzstatic. Updated weekly. f19f6b5be8474fe789e36a6242f6113e? mzstatic. apple. mzstatic. mzstatic. mzstatic. We update this collection every week. If you like a track, add it to your library. mzstatic. apple. mzstatic. mzstatic. We have the most fun when nothing is off limits. Amid it all, gorgeous saxophone solos waft across the album, transporting you straight to the streets of their hometown on a sunny day. Everything about the album was just spontaneous and about not taking ourselves too seriously. These songs are about depression, seeking help, grief, failing relationships, and health issues Este has type 1 diabetes. The album proved to be the release they needed from all of those experiences—and a chance to celebrate the unshakable sibling support system they share. We held up a mirror and took a good look at ourselves. It came out of this feeling when we were growing up that Los Angeles had a bad rep. And if LA is an eyeroll, the Valley—where we come from—is a constant punchline. But I always had such pride for this city. And then when our first album came out, all of a sudden, the opinion of LA started to change and everyone wanted to move here. The album and this song are really guitar-driven [because] we just really wanted to drive that home. Just playing it feels empowering. Este came up with just that simple bassline. And we kind of wrote the melody around that bassline, and then added those 808 drums in the chorus. Sometimes for me, being at home alone is the most comforting. We shout out Joni Mitchell in this song; our mom was such a huge fan of hers and she kind of introduced us to her music when we were really little. I'd always go into my room and just blast Joni Mitchell super loud. And I kept finding albums of hers as we've gotten older and need it now. I find myself screaming to slow Joni Mitchell songs in my car. This song is very nostalgic for her. The guitar solo alone is really fun. The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life. I love the way that the drums sound. I feel like we really got that right. That slowed-down ending is due to Ariel. I remember I had gone to go get food, and when I came back Danielle had written the bridge. Okay! There have been around 10 versions of this song. Someone was having a booty call. It was probably me, to be honest. We started out with this beat, and then we wrote the chorus super quickly. And we had to audition a bunch of dudes. They were the worst! We can tinker around with a song for years, and with this one, every time we added something or changed it, it lost the feeling. And every time we played it, it just kind of felt good. It felt like a warm sweater. The day that we started it, I was thinking that I was going to get back together with the love of my life. I mean, now that I say that, I want to barf, because we're not in a good place now, but at that point we were. We had been on and off for almost 10 years and I thought we were going to give it another try. And it turns out, the week after we finished the song, he had gotten engaged. So the song took on a whole new meaning very quickly. I think Ariel had a lot of fun producing this song. The end of the song is supposed to feel like a celebration. We wanted it to feel like a dance party. Because even though it has such a weird meaning now, the song has a hopeful message. Who knows? I am still hopeful. As sisters, we are the CEOs of our company: We have super strong personalities and really strong opinions. And finding someone that's okay with that, you would think would be celebrated, but it's actually not. It's really hard to find someone that accepts you and accepts what you do as a job and accepts everything about you. And we just wanted to keep it like that, so we played acoustic guitar straight into the computer for a very dry, unique sound that I love. This was super quick with stream-of-consciousness lyrics. I wanted it to sound like you were in the room, like you were right next to me. It's very therapeutic to just kind of scream it in song form. The backing vocals on this are like the other side of your brain. We got asked questions about it early on, and there was this one interviewer who asked if I made the faces I made onstage in bed. My defense mechanism when stuff like that happens is just to try to make a joke out of it. Now, had someone said that to me, I probably would've punched them in the face. But as women, we're taught kind of just to always be pleasant and be polite. And I think that was my way of being polite and nice. Thank god things are changing a bit. We've been talking about shit like this forever, but I think now, finally, people are able to listen more intently. We got the feeling we wanted in the first take. And I've talked to so many other women about the same experience. I hate going in the guitar stores. Whatever felt good on this track, we just put it in. The production is bananas and bonkers, but it did really feel good. But to us it was exciting to have that crazy guitar solo and those drums. And the song basically explains what it feels like and just not knowing how to get out of it. You're just kind of drowning in this relationship, because the highs are high and the lows are extremely low. And knowing that you're so hard on yourself about the littlest things. But your partner can do no wrong. But it felt like the end to the chapter of the record—a good break before the next songs, which everyone knew. And you need to get your shit together and you need to look it in the face and know that you're here and work on yourself. We're very lucky that we each have two sisters as backup always. We wrote this with our friend Tobias Jesso Jr. , and we all just decided to write verses separately, which is rare for us. I wrote about losing a really close friend of mine at such a young age and going through a tragedy that was unexplainable. I still grapple with the meaning of that whole thing. It was one of the hardest times in my life, and it still is, but I was really lucky that I had two siblings that were really supportive during that time and really helped me get through it. If you talk to anybody that loses someone unexpectedly, you really do become a different person. I feel like I've had two chapters of my life at this point: before it happened and after it happened. But we loved everything about it. You can lose your confidence really quickly, but thankfully, people really liked it. Putting out this song really did give us back our confidence. I just couldn't stop thinking about how he was feeling. I get spooked really easily, but I felt like I had to buck the fuck up and be this kind of strong figure for him. I had to be this kind of sunshine, which was hard for me, but I feel like it really helped him. Being the summer when he was just in this dark, dark place. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. ppypeevv. mzstatic. apple. mzstatic. mzstatic. In Association with Night Time Stories, Ltd. The result is their most direct work to date. apple. mzstatic. zeqspjxw. mzstatic. rgb. apple. mzstatic. mzstatic. He has guested on what is very likely only a fraction of the requests he received in that time, but fans would find scene-stealing verses across projects from Summer Walker, Snoh Aalegra, and the Dreamville crew, among others. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. pdagxjol. mzstatic. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. zavsxmva. mzstatic. apple. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. ecydthof. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. That voice which seems like it fell off of the classic rock convoy of 1972, but crossed with the gruff soul men of a generation before. It's hard not to feel something when he sings. LaMontagne knows this, but he doesn't go overboard. There's always that possibility that he could jump into the fire like Joe Cocker used to, but LaMontagne instead deals with musical atmospheres that revel in their love for soul and folk music, keeping things roots-y and never over the top. His voice and his songs simply add one more layer to the down-home, soulful mix. mzstatic. nhcuhbsu. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. glcjiktl. mzstatic. apple. mzstatic. mzstatic. She consistently looks to the mirror first for answers, for clarity, for grace. Despite the sometimes heavy subject matter, UMI's music is beatific; her voice is feather-light and seems to float across productions that are equally mellowed. Levity exists in sound and lyric like peace offerings to both self and listeners. Hers isn't music for hurting but for healing. apple. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. All rights reserved. Producer Jay Joyce listened to the impassioned way that Townes strummed her songs on acoustic guitar, and added a kinetic sense of rhythm. I love the way the music makes me feel around that message. Being able to ask those questions and have that conversation and sit in that place of wrestling, to me, is what allows me to believe. That's so foundational. It's just the comfort that you're just not alone in that. This song, in the studio, it took a lot of pacing and really working out the rhythm. It's like somebody pacing back and forth as they're in that really hard place. It's a painful sort of honesty. This song is anchored from true stories of people that have been through really hard things that I had the honor of getting to know, and being able to write about that story just meant so much to me. I love the way that the darkness just cannot possibly stand a chance from the smallest beam of it. It just has no choice but to shrink. I love talking about light and thinking about light as a theme in writing in general. It was cool to be able to dive into that for this song, and also honoring the people who cheer us on and who are the encouragers along our path, and the way that we get be that for people too. I just think it's so important to challenge that in real life. Love is just so much bigger than what society paints it to be. Trying to keep an open heart towards all of that is important. Walking into the studio with the song, I really felt like Jay put like a leather jacket on it, metaphorically speaking. It's got this edge to it. I love the snare drum and the attitude that it just kind of brings forward. And I love the message of just holding on to the good things and the hard and not-so-fun, painful things we go through, and being able to keep the parts that shape us. I was sitting in this little apartment I was renting and just really missing my great-grandmother and my family, and just thinking about the glue that she is and how thankful I am to have lived 20 years of my life with my great-grandmother very closely. She was just an incredible woman. She'd come out to all these different fairs or festivals I'd played in Canada and sit in the front row in her lawn chair and sing along. She partied with the best of them up to, like, 80-some years old, and would be the first one waking up in the morning, cooking everybody breakfast. It maybe took me 20 minutes to write this song, and I just felt like I was getting out of the way and surrendering to that moment and letting it take over. It was very much a spiritual process. The day that we recorded this song, Jay played it with me and I sat and played my acoustic and sang into the mic at the same time, and there was a third acoustic guitar. It was just the three of us sitting in a semicircle. I took a deep breath and said a little prayer and sang the song. I've always loved that phrase. It was really fun to dance around Daniel's studio the day that we wrote it, just imagining people of every kind, just showing up and coming together. It's like you listen and even having not lived in that era, you feel like you're just walking down the spiral staircase into this mysterious and magical romantic time. We wanted to capture that feeling in a song, and we wrote it to be this duet, and it was really cool to have Keelan be able to come in and sing. That's the anchor of where the thread that goes through a lot of those songs kind of comes from, from that belief, and this one included. That story and starting from that place really, really meant so much to me, the desire to really be looking out for one another and things that we're going through. It's very much sort of anchored in this way of just being an observer and noticing really hard things. Being able to musically pair that with the anthemic production just made me so excited. I feel like that wonder and innocence is something to learn so much from. Jay had this idea to bring in this little girl to sing at the end of the record. She was Jason Hall, the engineer's, daughter and her name is Amelia. She's seven years old, and she just came and sang her heart out. I watched her stand in the vocal booth and she's all nervous, and then she just closes her eyes and sings. apple. mzstatic. fwocufqz. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. zpsmuqed. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. There's also really loud, rocking songs, and that's how they should sound. I don't think you have to try to file down the edges of things to make them palatable for every single person. I think that's where you start to lose. He was coming over, and I wrote the music kind of right before he got there. I had a real good grip on what the feel was. I had a little melody, but we didn't have a subject. He was telling me a story about this old hotel that used to be out on Dickerson Road called the Midway Motel. There was a sign there for years and they finally tore it down. That's where we eat, at this place, and where we stay, at this place. So it was sort of that story of those places on the road where you start to feel more at home and [get to] know these characters that come in and out. We did arrangements with it at just the top, just the end, and then kind of do other things in the middle. It always felt like a puzzle you were trying to force pieces into. When we did it in this arrangement, more like a group of 15- and 16-year-old kids playing in a garage for the first time, it had that real raw grit and emotion that I just felt like the song needed. I've done things that are cool. I've done things that I can be really proud of. I still want to grow. I want to push myself and all those things, but I feel like for years, I've just been unsatisfied. Something has to go wrong. It was really just a love letter to my own wellness, I guess. It's what you do. I think with time, realizing that there are these hard, really painful things that we have to do—whether that's a breakup or leaving a job or leaving a city, or a combination of all of those things. It's oftentimes still the right thing to do. It can be things as simple as during this quarantine, we watched my oldest son, who's 13 now, went off for the first time on his bike and left for the day with his friends. You have to have these moments of growth and sadness to really continue to move on. We kind of whittled on it and tried to do a more, quote unquote, radio-friendly arrangement, and it was never interesting. The guitar work was important. The girls singing that [chorus] part, it's sort of that internal voice telling you to let these things go. You sort of know it inside. It just didn't have that same effect when it was just me singing it. I really liked the effect of where it took us emotionally. And I really loved that. It's sort of the exact opposite of what we talked about with the long song. We got the whole story and a great guitar solo and outro solo, all of these things that you wanted in song, and I think it's two minutes and 11 seconds or something like that. It felt so punk rock and natural that I just loved it, so we left it alone. You start to see things crumble and that real pain that that brings when you are the one that really is sort of abandoned. There was a desperation in the recording of that one. That's a one-take vocal the whole way through. I'm real proud of that. For me, there was always this feeling of not being able to fully be vulnerable. There's so many records like that that I listened to growing up, from XTC to early Tom Petty stuff, just any of that stuff that feels like a three-minute-long, roll-the-windows-down summer radio extravaganza. I feel like we really captured that with the song. Not just that relationship, but the daughters' future relationships with her husband or partner and children and all of those things. My wife's a counselor for kids. She doesn't give me intimate details, but you're able to pick up on certain scenarios and things that we go through with our children and parents and problems and how those can be lifelong struggles. It's really just the story of a girl having to leave behind all these sort of dreamlike ideas of childhood, and realizing all of these screwups that she's going to have to go and fix. You grow up in a small town and everybody still expects that you're going to look back fondly, and that's just not the case for that character. apple. mzstatic. fokfkzrh. mzstatic. apple. mzstatic. mzstatic. apple. mzstatic. nwejfxxb. mzstatic. apple. mzstatic. mzstatic. We did probably 20 songs, and that was the first one. This kid named Santos, he sent us some loops. That was how we started making the project, because it sounded so cool. There's a punchline in probably every bar. It's a fun song to sit down and listen to and just appreciate the writing. And you can bop to it. Dalex was the one person that I said, 'Okay, he's going to sound super dope. I know he'll do a great job. I'm so happy with what he did. So we said, how about we make another beat and have a beat change so we can make it longer. That song is another vibe, it's crazy. It's two completely different beats, but it sounds so nice, both of them together. Anything he touches is gold. I really don't do a lot of happy traps like that. All of my traps are more darker than that, for the streets. And all of his traps are dark, so I thought it would be really cool to show another side, a happy side. I just feel great, I'm living life. I just want people to see that part of it. I don't do it that much, but when I do it, I like to tell a story, and I think 'Sin Ti' is a relatable story. I always try to connect with people who hear me. And that's a song that everyone goes through—you're trying to get this person's attention, but they don't want to be with you. You wake up another day without them, and it's just this never-ending sadness. It'll have people thinking about a special someone. It was just such a bummer that we had to do all this via email, but it was the first time I worked with Farruko. As a matter of fact, I wanted to have Farruko on it since the beginning. When they gave me the song back with him on it, I just heard it and I went nuts because he killed it exactly how I predicted that he would kill it. It was like the song was meant for him. I just fell in love with the song. It's a song you can just hear, not think about someone breaking your heart, but think about someone that actually makes you feels special. The beat is super wavy. I'm going to try and get someone from the US on my remix. I could say the person that I would love to have on that song, but I keep it 100 with myself. I fuck with a lot of those rappers, man. I'm just little by little getting inside to that pool. I have some stuff coming up with a lot of rappers in the US. I feel like I really can vibe with them. And when we go to the studio, it's really dope. When I actually recorded it, it didn't have a beat, only the loop. I think maybe 80 percent of the music I make, I record on loops and then they put the kicks, the hi-hats and everything. That was probably the fastest song that I wrote out of the 10. When I write, I don't write, I just hear a beat and start improvising on the mic. 'Corona Freestyle' is the perfect example of that, because the feeling I had that day was exactly the feeling I had on that song. One of those personal freestyles, but I think people will like a lot, the emotions built up after being in quarantine for a while. It's easy to sit back and just chill, hear what I have to say. It brings me back to the old school. The loop, Santos did it. The loops have so much feeling in it. I would just go in a trance and go in on the beat. They were super dope. I enjoyed making that song a lot. I think that there's so many people that need to know about that song, because it's one of my favorites. I was going to take two old songs and do a remix, but I decided to leave 'Entre Tantas' how it was. I think that people that are hearing me now should hear. Even if it's 10 years old, for me it's a classic. apple. mzstatic. 7f7b65c280d94893852fa255c5fe287c? mzstatic. apple. mzstatic. mzstatic. Get up close and personal with Colombia's larger-than-life voice. 0b42b4ce31584d949e6a0603f3777e6e? mzstatic. apple. mzstatic. mzstatic. It all starts with Chris Martin's sincerity and introspection—he's as likely to reflect and lament as to look outward—and a falsetto that absolutely soars. The band is right alongside him, carrying soft piano-and-guitar rock to heart-racing crescendos, and experimenting, over the years, with orchestral arrangements, moody electronics, and producers like Brian Eno. 2205b568872044fba4f03c9b19cb4cd1? mzstatic. apple. mzstatic. mzstatic. f7404532d42343d3b55d09b035e2ecaa? mzstatic. apple. mzstatic. mzstatic. aba3abd6b6144c22a797096ef4589945? mzstatic. apple. mzstatic. mzstatic. The singer has poured the ups, downs, and utter weirdness of growing up famous into a string of post-everything gems, each one subversively unique. Heartland ballads as wholesome as apple pie sit precariously alongside hip-hop bangers rife with provocative talk. One minute her voice bops and bubbles to glittery electro-pop, the next it's boasting and taunting over caffeine-fueled punk riffs. The sound of confounded expectations has never been filled with more pop hooks. 1b59383d41a74a889e8a28c31a3552c3? mzstatic. apple. mzstatic. mzstatic. mzstatic. This playlist collects the very best of Bieber, from doe-eyed cuddle bunny to rebellious playboy to reflective married man—shades of maturity, cast in sound. ec0595d73ef841efa2a54180580f760b? mzstatic. apple. mzstatic. mzstatic. 594219ae78914316a30f3f0a681346d9? mzstatic. apple. mzstatic. mzstatic. 348289081a4e41ef930bf46cbd51277d? mzstatic. apple. mzstatic. mzstatic. Explore her career so far with this equally varied playlist. 6f34b92b88f54a46a71f710ae8fc649e? mzstatic. apple. mzstatic. mzstatic. mzstatic. And like her heroes David Bowie and Laurie Anderson, she uses music to inspire others to be comfortable in their own skin. dc00bd42d6c44ad792347389221fdbfc? mzstatic. apple. mzstatic. mzstatic. They also scored a gold plaque for 2002's Phrenology. They've served as a backup band for JAY Z and Eminem, to name a few, and became America's band when they joined the cast of Late Night with Jimmy Fallon in 2009. 31be21144a3443a3b121500c27995ac8? mzstatic. apple. mzstatic. mzstatic. He shot to fame under the patronage of Abbado and Rattle, and was soon conducting the world's great ensembles. He can raise the musical voltage of any ensemble he encounters, and his performance with his Venezuelan band is invariably exciting. Listen to him develop as a musician through this rewarding collection of his works. mzstatic. rgb. apple. Teamed with a crew of heavy hitters — including Rihanna on a menacing love-hate ballad and Lil Wayne on a Just Blaze production sampling Haddaway — Em knocks it out of the park, mixing razor-sharp metaphors with polished pop sensibility. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. ayuccyos. mzstatic. rgb. apple. mzstatic. mzstatic. mzstatic. mzstatic. His official studio debut solidifies his moody signature sound while grappling frankly with fame, sex, and self-doubt. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rspsovgk. mzstatic. omppwbeg. apple. alone. Built on a moving power ballad, the song is elegantly trimmed with warm, rootsy instruments and powerful string arrangements. Over this, Underwood sings a gripping narrative on faith and mortality. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. sotroeja. apple. Vocalist M. Over the course of its 72 minutes, Avenged Sevenfold never falter. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. apple. mzstatic. mzstatic. blcfoozb. mzstatic. ytrcscra. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. The Roots' ninth studio album touches on more dark and heady subjects like loneliness, perseverance, self-abuse, war, and even aspects of existentialism. Blu, P. apple. mzstatic. mzstatic. iyqgwtni. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. His third album is a humid mix of new wave, psychedelia, and electro-pop whose moods flip from tender to funny to gloriously X-rated, often in the same song. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. ecbegmjj. mzstatic. rgb. apple. Lyrically, Rascal Flatts explores the joys and sorrows of the modern-day Middle American while betraying an old-fashioned sentimental streak. Right. At its best, the album has the easy-going, warm-hearted mood of a living room jam session. apple. mzstatic. mzstatic. mzstatic. wdigxokp. apple. apple. mzstatic. bamjvzsp. mzstatic. coiryerr. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. When it was released in June of 2000, the boom was cresting, the Y2K bug was a joke not a threat , and the good times seemed endless. Featuring four rappers and two DJs, it surges with a fresh, exciting, organic sound and boasts deft vocal interplay, soulful, straightforward beats, and the seamless cohesion of the two. apple. mzstatic. mzstatic. apple. apple. mzstatic. mzstatic. bgmytzuk. mzstatic. rgb. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. rgb. apple. mzstatic. mzstatic. apple. mzstatic. mzstatic. mzstatic. mzstatic. uyrvwjfg. mzstatic. xgrszxsu. apple. apple. mzstatic. mzstatic. mzstatic. mzstatic. mzstatic. nkwexvkk. mzstatic. apple. They did careful overdubs on this live album to make it sound even better. apple.

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この にはなが不足しています。 の提供に協力をお願いします。 存命人物に関する出典の無い、もしくは不完全な情報に基づいた論争の材料、特に潜在的にあるいは有害となるものは すぐに除去する必要があります。 ( 2019年5月) 宇多丸 出生名 佐々木士郎 別名 MC SHIRO、歌丸、宇多丸申し訳Jr. 黎明期の1990年代前半から活躍するグループ・の、マイクロフォンNo. 本名、 佐々木 士郎(ささき しろう)。 かつては MC SHIRO、 歌丸名義で活動をしていた。 メンバーでは最年長。 、、、、としても活動。 来歴 [ ] 生まれ、育ち。 、卒業。 中学入学当初はサッカー部に入部するも退部。 それ以降はだったが、文化祭で友人らと共に、の音楽に合わせたプロモーションビデオを製作するなどしていた。 中高時代はをはじめ、やなど幅広いジャンルの音楽に触れる。 、が日本語ラップを広めたのもこの頃であり、親しんだ洋楽と歌謡曲への興味がリンクしたのが日本語ラップだったとしている。 音楽活動を始めた経緯はなりゆきで、日本語ラップが存在しなければ自分では絶対やっていないと発言している。 大学時代のに「早稲田大学研究会ギャラクシー」にて坂間大介(現・)とともにを結成。 11月25日、が発売した『PLEASE』に収録されている「WATCH ME! 」にと共に参加する。 この曲がにとって初のCDデビューの曲だった。 4月25日、として1stアルバム『俺に言わせりゃ』でインディーズデビューする。 、専門にて自身の連載『B-BOYイズム』を本名の佐々木士郎として開始する。 ヒップホップグループのMCサイプレス上野は佐々木士郎宛てに毎月手紙を送っていた など同連載は多くのラッパー達に影響を与えた。 毎年夏に開催されるのの司会など、古くから日本のヒップホップイベントに関わってきた。 、雑誌の5月号にて現在も続く長寿連載となる『マブ論』がスタートする。 、専門の5月号にて宇多丸、前原猛、高橋芳朗、古川耕、郷原紀幸による座談会コーナー『ブラスト公論』がスタートする。 に単行本化されたが後に品切れになるが、に増補新装版として復刊する。 11月7日、の4thシングル「」でよりメジャーデビューを果たす。 4月6日、の音楽番組『BLOCKS』内の1コーナーとしてのMCと共にトーク番組をスタートさせる。 1月21日、でもあるが監督した映画『』に出演し映画デビューを果たす。 同作品の主題歌はがに発売したアルバム『』に収録されている「グレイゾーン」 1月27日、にて単発の1時間番組『宇多丸独演会』を放送。 後に同局で放送されるレギュラー番組『』の布石になったとされる。 3月31日、として初のでのライブを達成する。 その後1年ほどとしての活動を休止させる。 4月7日、にて自身の『』の放送が開始される。 4月6日、自身の『』において後の看板コーナーとなるコーナー「ザ・シネマハスラー 現:週刊映画時評 ムービーウォッチメン 」がスタートする。 第1回目に評論したは『』だった。 RHYMESTER以外の活動として、日本語DJ集団「申し訳ナイタズ」では 宇多丸申し訳Jr. という名のとしても活動している。 また、他のアーティストへの楽曲の作詞を手掛けたものとして、の「December」などがある。 音楽活動のほか、アイドルや映画の評論も手がけ、雑誌などに複数の連載を持ち、書籍化もされている。 また海外のビデオゲームやも愛好する。 自宅は趣味に関する収集物で溢れており、万年床であったが、2010年の結婚を契機に引越し、それらを整理することとなった。 3月20日、にてスタートしたがメインパーソナリティを務める『』の水曜パートナーとしてレギュラー出演。 4月、日本国内の放送業界における優秀番組・個人・団体を顕彰する第46回にて、パーソナリティを務めているラジオ番組『』(通称「タマフル」)での業績を評価されてのDJパーソナリティ賞を受賞。 1月、喉のポリープの除去手術を行い1ヶ月活動を休止する。 その間自身のラジオ番組を番組スタッフ、、、、、、などが代わりに担当した。 本人は喋れないがカンペなどで放送に参加 2月27日、自身の『』のコーナー「ザ・シネマハスラー」が『TAMAFLE BOOK 「ザ・シネマハスラー」』として書籍化される。 4月16日、にて放送されていた『』のMCを務める。 自身にとって初のでのレギュラー番組であった。 2月10日、一般人女性との婚姻を発表。 4月2日、にて放送されていた『』にのなどと共にレギュラー出演。 とは後に同局で放送される『』でも共演を果たす。 1月13日、にて放送されていた『』にシンガーであるなどと共にレギュラー出演。 同番組では後に大ブレークを果たすなどが出演していた。 監督はシリーズで知られるが担当した。 4月2日、にて放送されていた『』の後番組『』に水曜レギュラーとして出演する。 11月5日、にて放送されていたドキュメンタリー『』にMr. ブルーバック役として出演する。 自身にとってこれが初のドラマ出演である。 1』が発売される。 芸名について [ ] 芸名は及びに由来する。 理屈っぽい性格が『』でいえば歌丸だという考えと、当時からスキンヘッドにしていたことに由来する。 宇多という字は、宇多田ヒカルが流行っていた時期に、そのまま借用した。 「歌丸」という表記から現在の表記に変えたのは、本家と勘違いされるためであり、現在でも勘違いされることがある。 長らく桂歌丸本人無断で「うたまる」の芸名を使用していたが、12月にが仲介人になり、同じ芸名である「うたまる(宇多丸 」を使用する許可を得た。 その時の様子がに放送された自身のラジオ番組『』にて放送され、その際に自己紹介ラップを披露した。 桂歌丸からは「どうぞお名乗りください。 宣伝になるから」と快諾された。 エピソード [ ]• 父親はの。 付設の完全を作るなど破天荒な医師であった。 デビュー前にもかかわらず、の存在を知っており、「CDはいつ出るんだ? 」と発言し、宇多丸を驚かせた。 子供の頃、架空の弟ソウスケをつくって遊んで母を泣かせる。 RHYMESTERの元メンバーDr. LOOPERとは中高時代の同級生である。 初めて人前でライブしたのが高校の学園祭で、友人のDr. LOOPERと共にの『恋のぼんちシート』を歌った。 「早稲田大学ソウルミュージック研究会ギャラクシー」では部長を務めた。 ちなみにRHYMESTERのメンバーは3人とも部長を務めている。 にした理由について、若き頃に漫画『』の鉄雄のようにツンツンに髪を立てていたが、そのためにいつも前髪部分にベッタリ整髪料を付けて髪を固めていたので、前頭部の毛穴が死んでハゲ上がってしまい、やむなくスキンヘッドに移行したというという。 スキンヘッドのために使っているカミソリは。 のの勧めによる。 に大ヒットした『DA. NE』の歌詞にある「佐々木」とは宇多丸のことであり、PVにも出演している。 に『』のにRHYMESTERの3人で出演した際、のTシャツを着て登場し、に突っ込まれていた。 のファンであると公言しており(時から)、2006年『』に参加を果たす。 内のコミュニティ「だいちゃー増殖計画」にて「だいちゃー522号(名誉会員)」となる。 をインディーズ時代から注目し、「アイドル界最後の希望」「Perfumeがダメなら、このジャンル テクノポップ はもう終わり」と語っている。 「ライムスター宇多丸のウィークエンド・シャッフル」にしばしばをゲストに招いているほか、Perfumeのアルバム『』の収録曲「シークレット・シークレット」のでは真っ赤なスーツに金髪おかっぱ頭の司会者としてカメオ出演を果たす。 アニメ『』の劇場版製作に際し、テレビ版で吹き替えを務めていた声優から芸能人に変更されたことに反対した著名人の1人である。 同じく声優変更に反対するの、のと3人で、自身のラジオ番組で声優変更について激論をしている。 夏でのベストゲームに『Bully』を挙げている。 その紹介とプレイスタイルを披露するため、『』DVDに2ヶ月連続で出演。 表紙に自分の写真が小さく掲載されたが、「あのスネーク()と同じ舞台に立てた! 」と大変に喜んだ。 『ライムスター宇多丸のウィークエンド・シャッフル』の前枠番組にが出演した際、K DUBが「ヒップホップ界の歩く」と紹介されたことを受け、「歩くWikipediaって褒めてるの? 間違いだらけってことじゃん」と評している。 女性アイドル歌手や歌謡曲の他に等のにも造詣が深く、のとは携帯電話のメールアドレスを交換したり、ラップについても語り合う関係である。 自らのラジオ番組にを招き、デビュー当初からその実力に注目し、彼らのアルバムを発売日から買い、ライブに足を運んだりして、活躍ぶりを羨望すると共に嫉妬もしていた過去を彼らの前で語っている。 宇多丸は未だに彼らと食事に行く時に、「あの時はキミ達が売れてて悔しかった」と、本人達の前で愚痴を言うことを暴露されている。 所属アーティストのブログアクセスのランキングページを、自らのブログに貼り付け、毎週その順位の変動を分析したり、明らかに異常な変動に関しては、不備を指摘している。 RHYMESTERのブログはその中で常に上位に位置している。 高校時代に全国模試の現国で2位になったことを、今でもネタにしている。 なお、苦手な物理では0点を取っている。 ラジオ番組『ライムスター宇多丸のウィークエンド・シャッフル』内の映画評論コーナー「シネマハスラー」において、『』の結末の解釈をめぐってと論争に発展したことがある。 『』の批評に対しては、監督のが自身のブログにおいて反論を行った。 また、同コーナーでは毎回映画に対して厳しい批評を展開しているが、実はわりと人より涙腺の緩いタイプの人間であり、2008年4月12日にO. された『』の批評の際に自分自身を「ちょっと映画的にうまい見せ方があるだけで、『えっ? そんなに? 』ってくらいボロボロ泣くタイプの人間なんですよ。 」と語っている(本人曰く、1985年に日本で公開された映画『』の予告編だけで8回も泣いたという)。 作品 [ ] RHYMESTERでの作品については「」を参照 客演 [ ]• 『MELLOW YELLOW BABY』 7月21日 4. 嫌いじゃない feat. MC SHIRO• WORD CUP '96 feat. 『いいじゃん〜MIKI FM試験放送〜』 3月21日 1.いいじゃん feat. THE RHYMEHEAD• 『MIKI-FM 1998メガヘルス』 1998年4月21日 3.いいじゃん セクハラミックス [feat. MC SHIRO] 9.いいじゃん ジゴロミックス [feat. THE RHYMEHEAD]• 『By Phar The Dopest』 1998年6月18日 4. PAYBACK 報復 '98 [feat. MC SHIRO]• 『Reincarnation』 3月30日 2. バースデイ feat. 『FUNK JUNK 増刊号』 2000年6月25日 2. 有視徹戦 Remix [feat. 宇多丸]• 『The Adventures of KOHEI JAPAN』 2000年8月31日 9. 夜の狩人 feat. 『TRICK ART』 2000年11月30日 5. 土曜日の実験室 feat. 宇多丸• 『社会の窓 キ・キ・チ・ガ・イ PART II 』 2000年12月16日 1. 社会の窓 キ・キ・チ・ガ・イ PART II [feat. 宇多丸]• 『サンオイル feat. サンオイル feat. DJ OASIS『キ・キ・チ・ガ・イ』 2001年4月25日 1. キ・キ・チ・ガ・イ feat. 『OLD NICK RADIO SHOW』 5月29日 15. THE ULTIMATE BEATBOMB feat. イーアル雀拳 feat. 宇多丸• 『』 4月11日 9. Spanky Spank• 『プッチRADIO』 2003年4月25日 3. ロバート・デ・ニーロになれなかったよ feat. 宇多丸• 『HARLEM ver. 『音樂ノススメ』 2004年11月24日 9. 若草DANCE feat. 宇多丸• DJ OASIS『世界一おとなしい納税者 カモ 』 2004年11月10日 1. 世界一おとなしい納税者 カモ [feat. 宇多丸]• 『ラヴ・アライヴ」 11月23日 1. ラヴ・アライヴ feat. 宇多丸• 『DISCO-NNECTION』 2005年3月30日 3. あ・い・ど・る feat. 『No Limit』 1月11日 1. No Limit feat. 宇多丸• 『TWINS DISCO』 2006年8月23日 7. DISCO TWINS'INFERNO feat. 宇多丸• 『W』 4月4日 10. KABUKI道 DX feat. 宇多丸• 『サイボーグ俺達』 2007年7月18日 8. ドライバーズ・ライセンス feat. 宇多丸• 『BEAUTIFUL TOMORROW』 1月16日 5. 大人の責任 feat. My Honey X with 宇多丸 Rhymester• 『WONDER WHEEL』 1月21日 11. MASTERSオブお家芸 feat. 宇多丸• 『neworlder』 2009年5月27日 7. 24 -Twenty Four- feat. 宇多丸• 『ザ・ロック』 2009年7月22日 5. リザレクション feat. 危険日チャレンジガールズ! TBSラジオ「」の企画ユニット 『FUNKY FUN!!! 』 12月25日 1. FUNKY FUN!!! feat. 『4 My City II』 8月10日 1. 4 My City II feat. 宇多丸, , , TWO-J, Mr. OZ, CHRiSTY, , 籠獅 -ROWSHI-, G. CUE, U-PAC, , 大地, , , TERRY, YOYO-C, , BUZZ, ZANG HAOZI,• TOJIN BATTLE ROYAL『D. C』 6月13日 3. フィジカル要らん兵 feat. 宇多丸• 『THE ORIGINAL II』 2012年9月5日 10. Three The Hard Way feat. 『』 3月12日 2. Universe of Love feat. 宇多丸• 『物騒な発想 まだ斬る!! 』 2014年3月19日 1. 物騒な発想 まだ斬る!! [feat. 『Coffee Bar Cowboy』 6月17日 2. Quiet Dance feat. 宇多丸• 『AFTERMIXTAPE』 9月18日 11. それとこれとは話がべつ! feat. 宇多丸, DJ [ ]• 『申し訳ないとフロム赤坂 アーバンMIX』(2008年4月16日) 1. 宇多丸申し訳Jr. アーバンMIX1 3. 宇多丸申し訳Jr. アーバンMIX2 書籍 [ ]• 『ライムスター宇多丸の「マブ論classics」 アイドルソング時評2000-2008』(白夜書房、2008年7月、のち知恵の森文庫)• 『ブラスト公論 - 誰もが豪邸に住みたがってるわけじゃない』(シンコーミュージック・エンタテイメント、2006年3月、2010年3月に増補新装版、1月に増補して徳間文庫)共著:、、、• 『ザ・シネマハスラー』( 、2010年2月) 編:TBSラジオ「ライムスター宇多丸のウィークエンド・シャッフル」• 1』TBSラジオ「ライムスター宇多丸のウィークエンド・シャッフル」 編集 スモール出版 2015• 『ババァ、ノックしろよ! 』TBSラジオ「ライムスター宇多丸のウィークエンド・シャッフル」 編集 リトル・モア 2016• 『ライムスター宇多丸の映画カウンセリング』新潮社 2017• 『』「B-BOYイズム」「怪電波フロム神保町」「ブラスト公論」(シンコーミュージック、創刊 - ) : 日本のヒップホップ界随一の論客の呼び声も高い。 『』「マブ論」 : アイドル歌謡に関するコラム。 フリーマガジン『』「RHYMESTER宇多丸の ま〜たお前はTSUTAYAばかり行って!」(、-3月号) その他 [ ]• アメリカ産ヒップホップの日本盤CDライナーノーツを多数執筆(本名の佐々木士郎名義)。 出演 [ ] テレビ [ ]• 、2010年1月7日、1月14日、1月21日• 、2011年10月28日• 、2012年8月19日、8月26日・2013年1月5日、1月6日、8月10日、8月11日、8月17日、8月18日• 、2013年11月24日• 不定期出演• 、2015年8月25日、9月1日、9月8日、10月6日、10月13日、10月20日、10月27日、11月3日・2016年2月9日• 誰にも話してないんですが、実は… ~すべてがリアルなカミングアウト~ 、2016年6月13日• 、2016年7月15日• (、2018年7月7日) ラジオ [ ]• 、2006年11月23日・2007年3月30日, 6月8日, 8月10日・2008年1月11日, 1月18日)• 宇多丸独演会(TBSラジオ、2007年1月27日)• (TBSラジオ、2007年7月22日)• (TBSラジオ、2007年8月29日・2015年8月15日)• Taboo Songs2 蘇る封印歌謡(TBSラジオ、2007年12月27日)• (TBSラジオ、2009年6月18日, 7月1日, 8月19日・2010年2月10日, 3月17日, 3月30日)• (TBSラジオ、2011年10月4日)• (TBSラジオ、2011年12月18日)• (TBSラジオ、2012年2月22日)• (TBSラジオ、2012年12月11日・2016年4月22日)• (、2014年1月22日)• (TBSラジオ、2014年4月4日, 4月18日)• (TBSラジオ、2014年4月23日・2015年8月26日)• SHOCK THE RADIO(、2015年1月9日)• (TBSラジオ、2015年2月21日・2016年2月20日 代行MC)• (、2015年7月29日)• (2017年8月21日、TBSラジオ) - 週替わりアシスタント• ライムスター宇多丸のVATV!@アメスタ スタジオ、2009年3月-• THE GRAND MASTER SHOW 、2015年7月14日、BOSS TALKのコーナーのみの出演• 輝け!AbemaTV AWARDS(2016年12月31日、2017年12月29日、2018年12月30日 、) - AWARDプレゼンター• (2017年4月9日 - 2018年6月24日、AbemaTV)• X The NIGHT 2周年記念SP(2018年4月29日、AbemaTV) その他 [ ]• ネオ誕生祭(2009年2月11日 ) 受賞 [ ]• - 2009年度(第46回)DJパーソナリティ部門• 読者賞 - 2019年(第93回) 脚注 [ ] []• 『東京、東京』の歌詞にある自己紹介より。 - gooテレビ番組(関西版)• サ イ プ レ ス 上 野 の LEGEND オブ 日 本 語 ラップ 伝 説 第16回• 『』(2010年1月7日放送)• 『ライムスター宇多丸のウィークエンド・シャッフル』放送後記 第245回 2011年12月17日• マイナビニュース. 2018年7月3日. 2018年7月9日閲覧。 『』2009年7月号 P. 石川は「閉鎖病棟の開放運動」の草分けであり、宇多丸が絶賛したドキュメンタリー映画『』に登場する医師にも影響を与えた人物だという。 TBSラジオ「RHYMESTER 宇多丸・独演会『世界一受けさせたい授業 アイドル編』」2007年1月27日。 『』2007年11月号()• 音楽ナタリー 2014年11月4日. 2016年1月18日閲覧。 TV LIFE 2018年12月29日. 2019年1月6日閲覧。 「」『MMJ メディアミックス・ジャパン』、2018年4月27日。 2018年4月28日閲覧。 大塚食品公式HP 関連項目 [ ]• 外部リンク [ ]•

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スペシャルドラマ『ラッパーに噛まれたらラッパーになるドラマ』|テレビ朝日

ゆー まろ ラッパー

人気バンドのマルーン5が、今をときめく女性ラッパー カーディ・Bをフューチャーした曲「ガールズ・ライク・ユー」のミュージックビデオを公開した。 この組み合わせにも驚かされるけれど、なんとビデオには、映画、コメディ、モデル、スポーツと幅広い場面で活躍する、数々の女性スターが登場し、でもその豪華さが話題に! 今回の曲は、昨年11月にリリースされた最新アルバム『レッド・ピル・ブルース』に収録された「ガールズ・ライク・ユー」に、新たにカーディ・Bが参加したもの。 ビデオの中で、曲に合わせて歌い&ダンスするセレブたち。 SNSには、その撮影の裏側も投稿している。 lucky to call you a friend. Thank you so much for making that day so fun. I wish we could do it all over again! 😂 Girls like you music video featuring is out now! ブライジ、リタ・オラ、エレン・デジェネレス、サラ・シルヴァーマン、ティファニー・ハディッシュ、エリザベス・バンクス…など名だたる人気者が登場。 曲の最後には、アダム・レヴィーンの妻ベハティ・プリンスルーと娘のダスティーちゃんの姿も。

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